The Outside Scoop
The Box Office Podcast
Masters of the Scary Circus
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Masters of the Scary Circus

Luke Y. Thompson, the biggest He-Man fan we know, dives deep into how 'Masters of the Universe,' even if commercially doomed, was the film for which he had waited his entire life.

As expected, Masters of the Universe became the latest example of “good movie, don’t care” IP adaptation in the tradition of Power Rangers, Transformers One, and (at least overseas) Predator: Badlands. And, as somewhat expected, Scary Movie 6 was a nostalgia-skewing relaunch that successfully played to the kids. At the same time, The Amazing Digital Circus was the latest example of a YouTube-created IP making a successful transition from streaming to cinema.

Luke Y. Thompson, as a lifelong He-Man fan with an encyclopedic knowledge of the nearly 45-year-old franchise, still has much to say about the decades-in-development franchise reboot that ended up with an opening weekend that was barely above the second weekend for Backrooms and the fourth frame for Obsession. Meanwhile, Jeremy Fuster goes long on the frustrating double standard often applied to mega-budget theatrical flops released by “money doesn’t matter” tech giants. At the same time, everyone remembers to give Paramount its Scary Movie 6-specific flowers.

Also on the docket is discourse related to Dan Lin’s “filmmakers who want theatrical releases can buzz off” New York Times article, favorite Regina Hall roles, whether the YouTube-to-cinema pipeline will have a quality curve, Jared Leto’s inconveniently excellent performance as Skeletor and my personal annoyance over Masters of the Universe’s false-hope mid-credit cookie.

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